Enough Already - This Time The SoundMan Is Taking Names
It's a rare event that SoundMan gets to attend a concert as a patron and one such event was just a little over a week ago. To celebrate the occasion he has consented to giving us the following review.
Johnny Winter - Cyril Lance - The Flying Anvil - Greensboro, NC
Writing a review feels strange to me. I'm asked all the time what my favorite band is and my response is always the same - all of the ones that pay me. After all I am a SoundMan by profession and it's bad business to tick-off your clients. It's best to keep your opinions to yourself and work with the artist to make them sound like the stars that they are. Not that I don't have any opinions. Just hang around with me on my down time and you'll discover that I have an opinion on EVERYTHING and I'm more than willing to share them. But what the heck - it's gloves off time.
First a couple of disclaimers. The electric guitar is not SoundMan's favorite instrument (personally I liked Edgar Winter better) and I was there as a representative of the Eastern Music Festival but was not the sound-dude for the show.
I like geezer shows if they haven't lost their chops (after all SoundMan is getting to be a bit of a geezer himself some say) and Johnny Winter has not lost his chops - hearing definitely - but not his chops. Unfortunately a lot of geezers need to steep aside and let the new generation have their turn. I would rather shake their hand and get an autograph than witness another humiliating performance of a once great artist, but like I said, Johnny was on his game that night.
Unfortunately, I can best sum up the show with the following picture of the sound preasure level as measured on the night of the show for Johnny Winter's set.
It's one of the
SoundMan's worst nightmares, dueling guitars
fighting a death mach for dominance in a small
cement room and both of those guitar amps were for
the same Legendary guitarist.
Now don't get me wrong,
SoundMan likes his sound BIG, but there is big and
then there is painful and 113 db SPL of screaming
guitar for over an hour was more big than the
SoundMan could stand. I would have given anything
to have borrowed the 'cone of silence'
from the TV show Get Smart for the night (OK -so
I'm giving away my age with that reference). Now
just in case you were one of those that blamed the
house sound-guy for the carnage to your ears, think
again. The only channels turned on in the PA during
Johnny's set was his and the drummers vocal
microphone when they sang or spoke. The only name
on the nuisance complaint should read JOHNNY
WINTER. Believe me, the PA in that club is not able
to compete with that much guitar. You could have
just left. There was no one blocking your exit.
As for the opening act
- I'm sure they were good - I just can't remember
much about them after Johnny performed. Dain
bramage I'm afraid.
Now for the morel to the story - I
saw no one leave until after the concert but that
does not mean it wasn't painfully loud, it just
means that the audience was willing to be assaulted
with sound to SEE Johnny Winter perform. There were
plenty of complaints to go around AFTER the show.
If your band is not Johnny Winter and you want
anybody to stay to see you play other than a few
deaf friends and family members then keep the level
on that guitar rig turned down. When you are
playing a small room use a small amp or put it
outside with a mic on it and if you are lucky
enough to play the coliseum I'm sure Johnny will
let you borrow his rig.
The Flying Anvil - You were great hosts, really,
and the SoundMan applaudes your vision, but even
though you did not have control of Johnny's guitar
level, the News and Record is already calling you
the Boom Boom Room or something like that. If the
rumors are true and the big corporate entertainment
machine, RX International, swoops in and takes over
the N Club and Sky Bar you might want to squash the
noise NOW and fix the room acoustics.




